Rosa Bud’s gown was made through a combination of alterations and additions. The bodice was taken from another gown from another period, then a bustle and contrasting skirt was added. I assisted in the assembly of the new skirt and in draping the bustle. The majority of other gowns were copies of her bodice, bustle, and skirt.

The majority of alterations for the Mystery of Edwin Drood consisted of changes to pre-existing menswear. I hemmed many coats, pants, and skirts. I assisted in the construction of new garments for Helena and Neville Landless, applying trim and buttons.